Vol. 1
IF YOU ARE CURRENTLY TEACHING YOUR STUDENTS THE “BOX STEP” IN KEMPO COMBINATION #5… STAND BY TO WATCH THEM GET THEIR TEETH, NOSE, AND JAW BRUTALLY SMASHED IN A REAL STREET FIGHT!
An open letter to honest martial artists who are sick and tired of deadly “mutations” in their Self Defense Techniques & Katas, and want to know what original Kempo grandmasters actually did when a 230-pound thug threw a vicious, bone-crushing haymaker at their face.
From: The Desk of a First-Generation Master
Dear Friend,
If you are a martial artist who believes that every single move taught to you by your instructor is 100% gospel truth… stop reading this ad right now.
This letter is not for you. Go back to your fantasy world where street fights look like beautifully choreographed ballets.
But if you are someone who wants the cold, hard, bloody truth about what actually happens when a violent, beer-soaked Neanderthal tries to take your head off outside a bar… then what you are about to read will be the most eye-opening, and perhaps terrifying, message you have ever encountered.
Here is why.
There is a dangerous virus spreading through the American Kempo and martial arts community. It is a mutation. A mistake. A deadly illusion passed down by second- and third-generation instructors who have never had to use their hands to defend their lives in the real world.
And if you are practicing Kempo Combination #5 the way most schools teach it today, you are actively training yourself to get knocked unconscious.
The Deadly Illusion of the "Box Step"🙄
Let’s talk about the “Box Step.” You know exactly what I’m talking about. You’re in a left half-moon stance. The attacker launches a punch. And instead of executing a direct, brutal, efficient counter, you are taught to take a double step—a little dancing “box step” or T-step.
It looks fancy in the dojo. It gets a lot of nods from judges at tournaments.
But in a real fight, it is financial suicide for your face.
Think about it logically. The thug in front of you is throwing a fast right hand, and he’s immediately following it up with a vicious left hook. He is taking one step to hit you. If you are trying to take two steps to his one just to set up a block, you have mathematically guaranteed your own defeat. You are increasing his speed and drastically decreasing yours.
If you try that ridiculous box step against a seasoned Western boxer or a trained Chinese boxer, you are going to swallow your own teeth before you even finish your first step.
I didn't just guess this. I did the homework. I went back and dug up the rare, grainy footage from the 1950s and 1960s of the original Grandmasters executing Combination #5. Do you know what I saw?
👉 There was absolutely no box step.
None. Zero.
If you look at the men who actually created and refined this system—the ones who taught the man who taught the man who taught you—they didn't dance. When the punch came, they used a simple, direct "Gate Step." They stepped straight back, opened the gate, cleared the line of fire, and delivered immediate destruction.
The box step is a mutation. It’s a messed-up movement that sneaked into the system underneath the first-generation masters. And it’s going to get people hurt.
The Secret of the Open-End Triangle: The Block You’re Using Wrong
Now, let’s look at the first movement of Combination #5: that unusual, open triangle block where the hands rise up like the classic crane system.
Up until now, you’ve probably noticed this is a very strange way to block. But let me give you the real insight. If you take the low block you do in standard katas or pinans, and you simply bring it up into the air with open fingers (the classic Chinese hands), you create an Open-End Triangle.
This is one of the most powerful trapping tools ever devised by the ancient masters—but only if you use it for its exact, intended purpose.
This block is an absolute masterpiece against circular blows.
- When a massive, wild haymaker comes flying toward your skull…
- When a tight, vicious hook punch is aimed at your jaw…
- When a brutal right roundhouse kick is launched at your head…
The Open-End Triangle gives you a massive window of room to pick up the strike, trap the arm, and neutralize the threat instantly. It fits perfectly.
But if someone throws a laser-straight, lightning-fast jab or cross directly down the pipe? It is incredibly tricky.
You would need an unbelievable, almost impossible amount of superhuman skill to capture a straight punch inside that triangle.
The original masters knew this technique belonged to the Crane system. The Crane is designed for when you are caught off-guard or surprised—perhaps with your hands folded across your chest, or down by your sides.
When you turn around and a punch is suddenly in your face, your hands naturally flash up to protect your eyes. That is the point of origin for the triangle.
Major Chords, Minor Chords, and the Art of "Tenderizing" a Thug’s Face
Here is another massive mistake I see taught in modern dojos: instructors telling their students to put 100% of their maximum power into every single strike.
That is dead wrong. If you fight like that, you will blow your engine and get spent within seconds.
Real martial arts is like music. You have major chords and minor chords. In boxing, you don't try to knock a man out with a jab; you use the jab as a minor chord to set up the devastating right cross.
In Combination #5, after you trap the attacker's circular strike with your triangle block, you do not wind up for a massive, heavy back-fist. If you wind up, you telegraph the move, give him time to intercept you, and add a huge, useless circular beat to your own counter.
Instead, you use a minor strike to "tenderize" him.
You instantly flip your hand down—without winding up—like the lightning-fast snap of a dragon’s tail. And you pop him right on the tip of the nose.
You don't need 100% power to break a man's nose. A sharp, untelegraphed snap will immediately shatter the cartilage, cause his eyes to instantly flood with tears, and force his hands to reflexively fly up to his face in agonizing pain.
And the very second his hands go to his nose, he is going to lean backward to compensate for the pain.......And look what is left completely wide open.
The Hidden DNA of Combination #5 and #7
The moment he stumbles back holding his bloody nose, his entire midsection and ribcage are completely exposed. Now, and only now, do you bring in the major chord: a devastating, bone-shattering side kick.
For those of you who have already studied my Inside Combination #7 course, huge bells and whistles should be ringing in your head right now.
Why? Because when you pop his nose and he stumbles backward away from you, you don't just stand there. You execute a crossover side kick to chase him down and finish the fight.
Suddenly, you can see the truth: Combination #7 is woven directly into the DNA of Combination #5. They are not separate, isolated dances. They are parts of the exact same lethal language of self-defense.
Do the Homework Yourself
Look, don’t take my word for any of this. I don't want you to just blindly believe me the way people believe the instructors who teach the box step.
Go do the research. Go look up the footage of the old masters like Fred Villari or the early pioneers of Shaolin Kempo Karate. Watch them perform
Combination #5.
You will see them stand on guard, step straight back, block, snap the strike, and deliver the kick. No dancing. No box steps. Just pure, unadulterated efficiency.
If you want to truly master the inner mechanics of these techniques—if you want to know the advanced brown-belt variations of #5, or exactly how to execute that brutal arm-breaking variation from the 1950s where you come right underneath the trapped elbow—then you need to look inside my advanced training series.
If we work together personally through these videos, I can promise you we will have some incredible things to talk about. I’ll show you exactly why the box step will cost you your teeth, how to snap a back-fist with zero telegraphing, and how to transition effortlessly from #5 into the chasing crossover kick of #7.
Unless, of course, you’re planning on fighting Mike Tyson. If a prime Mike Tyson is throwing tight, explosive hooks inside your guard, this technique won't save you. In fact, I don't know many techniques that will help you beat Mike Tyson in a street fight. Let me end it with that!
But for the common thug, the bully, the haymaker-swinging street fighter? This original, unmutated sequence is pure gold.
Check out the advanced Inside Combination #5 and Inside Combination #2 videos today, do the homework, and stop training for the dojo—start training for reality.
Sincerely,
A Veteran of the First-Generation Masters
Vol. 2
The Secret “Hidden Geometry” of Kenpo That Slaughters any Haymaker, Street Hook, or Spinning Backfist instantly... Even if you are Outsized, Out-muscled, and Caught Completely Off-Guard!
If you are still teaching the "Chinese Box Step" or waiting to block before you strike, you are setting yourself or your students up to get knocked out cold.
Dear Fellow Martial Artist,
Let’s stop playing nice and talk about what actually happens when some psycho in a bar, a parking lot, or an alley decides he wants to tear your face right off.
He isn't going to bow. He isn't going to step into a textbook, lunging forward-punch.
He is going to throw a savage, looping haymaker, a wicked street hook, or if he’s got a little bit of training, a blinding spinning backfist.
And if your muscle memory is trained to step back, do that rigid, double-pattern "Chinese Box Step" (or what some systems call the lock-step), you are in deep, deep trouble.
Why? Because that double-stepping virus does not translate to a real, chaotic street fight. While you are giving 100% of your two-handed attention to blocking his first punch, his other hand is already on its way to shatter your jaw.
Good fighters know this. The old masters from the 1950s knew this.
Yet, I see instructors teaching this broken, watered-down garbage every single day.
They are adding a "beat" to the movement. They block... then they chamber... then they punch. In the street, that extra beat is the exact millisecond that gets you carried away in an ambulance.
But what if you didn't have to guess where his punch was landing? What if you had an "iron triangle" with a margin of error so massive that even if he throws it high, he's blocked—and if he throws it low, he's still blocked?
And what if—the exact moment his strike hits your shield—his own body mechanics force his target right into your weapon, without you ever having to chamber a punch?
That is the raw, unadulterated power of the Inside Five Combination. And it contains a hidden martial science very few practitioners alive truly understand.
The Master Key of "Cross-Referencing": Why 3 + 7 = A Broken Opponent
Think back to The Karate Kid. Mr. Miyagi had Daniel Larusso waxing cars and painting fences. Daniel thought he was just doing chores. He didn't realize his muscles were being wired for lethal defense until Miyagi cross-referenced the movements and threw a punch.
The Five Combination is the ultimate cross-reference in Shaolin Kenpo.
If you’ve been teaching or practicing these combinations as separate, isolated movements, you are missing the entire matrix.
- The DNA of Number Three: If you change the timing and intention of the hands at the beginning of Five, you realize it is the exact same hand motion as the Master Key Number Three.
- The DNA of Number Seven: If you isolate the devastating side kick, the crossover, and the guard from the end of Five... it is a dead ringer for the Number Seven Combination, just executed on the inside rather than the outside.
When you master the Inside Five, you aren't just learning one technique. You are unlocking a universal geometry. You stop thinking about "Step A, Step B, Step C." Instead, you adjust the depth, re-time the pace, and eliminate the block entirely by turning the block into the strike.
Look at the mechanics: When an attacker swings his right shoulder forward to throw a major haymaker, his left shoulder must pull back to torque and feed that energy. He is completely opening up his own line.
By dropping directly back like a hinge on a fence—no fancy footwork, just pure leverage—you catch his strike on your massive scissor block. You don't add a beat. You don't bring your hand back to punch. You deliver a lightning-fast backfist or an immediate eye-skewer right into the socket before he can even think about his second hand.
The Secret Kung Fu "Internal" Break
Most traditional karate systems teach an arm break that relies on a hard, snapping motion against the joint. It requires perfect leverage and a cooperative opponent.
But inside the vintage, unfiltered version of Five Combination lies the Kung Fu Type Break.
This isn't a clean snap. This is a brutal, crushing maneuver designed to smash the artery, trap the nerves, and tear the tendons. It is entirely internal. If you execute this hard strike correctly on a straight punch or a hook, you don't just stop the attack—you instantly snap the wrist and deaden the entire arm. When you apply this kind of pressure, the fight is over before it even begins.
For the First Time Ever: Step Inside the Vintage 1950s Shaolin Kenpo Vault
This isn't theory pulled out of a modern, over-commercialized martial arts school.
I recently came across a piece of absolute history—rare, vintage footage from the 1950s and 60s showing the original pioneers of Shaolin Kenpo executing these techniques the way they were meant to be used.
No box steps. No watered-down sport karate rules. Just pure, predatory efficiency.
We have taken this incredibly rare film, broken it down frame-by-frame, and combined it with an elite masterclass that goes deeper into the Inside Five Combination than any video ever produced.
Here is just a fraction of what you will discover:
- The Massive Margin of Error Shield: How to form the perfect "Open-End Triangle Block" that catches hooks, haymakers, and backfists whether they are thrown too high or too low.
- The "Hinge" Footwork Secret: Why you must abandon the L-step virus immediately and how a simple, single-hinge drop completely robs your opponent's punch of its steam.
- The Elimination of the "Beat": How to transition from a beginner’s block-and-strike to a master-level simultaneous execution that uses the opponent's own momentum to impale his face onto your fist.
- Target Selection for Real Conflict: Why striking the jaw like most sport fighters can ruin your hand, and the exact soft targets (the temple, the cheekbone, and the devastating "ear-clap") that drop attackers instantly.
- The Spinning Backfist Antidote: Why Five Combination is the single most effective, unbelievable defense against a spinning backfist, and how to introduce it to your students the moment they master the basic hook defense.
This Is Not For Beginners.
Let me be entirely honest with you: Do not teach this to a yellow, orange, or purple belt. They do not have the control, the skill, or the confidence to pull this off safely, and they will likely hurt their training partners.
This information is a gift intended for solid black belts. It is the type of deep-dive, conceptual training that should be reserved for fourth-degree masters and above—or those rare, dedicated practitioners who are actively preparing themselves for master rank.
If you are ready to stop collecting superficial techniques and start understanding the deep, interconnected web of Kenpo geometry, this video is your blueprint.
How to Claim Your Access
We have digitized this rare vintage footage alongside our complete, modern frame-by-frame masterclass analysis. You can stream it instantly on any device.
To claim your copy and gain immediate access to the hidden secrets of the Inside Five Combination, click the link below right now.
Don't let your muscle memory rely on outdated, sport-style movements that will fail you when the pavement is wet and the stakes are real. Learn the hidden geometry. Master the timing.
See you on the inside,
GM Jim Brassard Shaolin Kenpo Practitioner & Instructor
P.S. When you watch the vintage footage at the end of the video, pay close attention to the way the master drops his weight. You can literally slow the film down to see the exact moment the Kung Fu break is applied. It is a masterclass in itself.